Buccellati, F.
1998
|
3-D Rendering and Animation at Tell Mozan/Urkesh,
in Giorgio Buccellati and Marilyn Kelly-Buccellati (eds.),
Urkesh and the Hurrians,
Urkesh/Mozan Studies 3,
Bibliotheca Mesopotamica 26, Malibu: Undena Publications, pp. 51-62.
See full text
See abstract
New technologies (such as CAD and XRF) can be applied on fiel dand laboratory to achieve a better analysis of both architectural remains and archaeological artefacts. As for structures, 3D renderings can provide archaeologists with a full -volumetrical reconstruction of arcient buildings and 3D pictures support an in-depth study of objects and finds, also allowing a more 'readable' view on structures and artefacts.
[mDP – November 2019]
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2001
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Digital Photography and Architectural Modeling as Elements of Conservation,
in Sophie Bonetti (ed.),
Gli Opifici di Urkesh.
Papers read at the Round Table in Florence, Novembre 1999.
Urkesh/Mozan Studies 4,
Bibliotheca Mesopotamica 27, Malibu: Undena Publications, pp. 83-88.
See full text
See abstract
Today, digital technologies (and above all digital photography) supplies with new elements towards a better study and conservation of structures and objects (both for what concernes the material and the form of an object). Furthermore, CAD and allows to develop images of a 'architectural objects', making possible a registration of data within a three-dimensional reality.
[mDP – November 2019]
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2010
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The Monumental Temple Terrace at Urkesh and its Setting,
in J. Becker, R. Hempelmann, and E. Rehm (eds.), Kulturlandschaft Syrien - Zentrum und Peripherie - Festschrift für Jan-Waalke Meyer, AOAT 371, Münster: Ugarit-Verlag, pp. 71-85.
See full text
See abstract
The monumental Temple Terrace of Tell Mozan is deeply analyzed in this contribution, describing its architectural stracture and the function of some of its major buildings.
[mDP – November 2019]
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2012
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Wie wird ein Palast gebaut und warum?,
in P. Breunig and C. Trümpler (eds.),
Werte im Widerstreit. Von Bräuten, Muscheln, Geld und Kupfer. Ausstellungskatalog Wiesbaden, Frankfurt am
Main: Goethe-Universität, pp. 31-34.
See full text
See abstract
The analysis and contextualization of the major buildings of ancient Urkesh can provide scholars with a better definition of the history of the site. Indeed, the Royal Palace and its finds (most of all the sealings) support a historical importance of the mound in ancient times, and mostly between 2400-1800 BC.
[mDP – November 2019]
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2014a
|
Understanding Households - A Few Thoughts,
in F. Buccellati, T. Helms and A. Tamm (eds.), Houses and Households in ancient Mesopotamia, Oxford: Archaeopress, pp. 35-42.
See full text
See abstract
Households at Urkesh are investigated in this paper under an anthropo-archaeological perspective comparing the site with other cities and mostly with the so-called 'Fortress of Elephant Hunter', in Burkina Faso.
[mDP – November 2019]
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2014b
|
Diachronic Developments at the Central Monumental Complex of Ancient Urkesh (Tell Mozan),
in P. Bieliński, M. Gawlikowski, R. Kolinski, D. Lawecka, A. Soltysiak and Z. Wygnanska (eds.),
Proceedings of the 8th International Congress on the Archaeology of the Ancient Near East. 30 April ü 4 May 2012, University of Warsaw. Volume 1. Plenary Sessions, Township and Villages, High and Low. The Minor Arts for the Elite and for the Populace, Wiesbaden: Harrassowitz Verlag, pp. 313-319.
See full text
See abstract
The central monumental complex represented by the Temple Terrace at Urkesh is here described as for its architectural components and functions, together with the role played by sealing practices attested from the Royal Palace of king Tupkish.
[mDP – November 2019]
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2019
|
Perception in Palatial Architecture: The Case of the AP Palace at Urkesh,
in Manfred Bietak, Paolo Matthiae and Silvia Prell (eds.),
Ancient Egyptian and Ancient Near Eastern Palaces. Volume II.
Proceedings of a workshop held at the 10th ICAANE in Vienna, 25-26 April 2016, CAENL 8.
Harrassowitz Verlag: Wiesbaden, pp. 31-40.
See full text
This paper contributes in providing a description on how the perception of architecture can be retrieved and understood on the base of the archaeological and architectonical evidence. The author offers a 'perceptional description' of the Royal Palace AP at Urkesh, underlining how it was a focal point in the landscape of Urkesh, with specific functional issues, such as the storage of materials and the public displaying of the royal power.
[mDP – December 2019]
|
Buccellati, G.
NOTE
1988
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2. Scope of the research,
in G. Buccellati and M. Kelly-Buccellati (eds), The Soundings of the First Two Seasons, Mozan 1, Bibliotheca Mesopotamica 20, Malibu: Undena Publications, pp. 29-41.
See full text
In this section of the Mozan 1 volume, G. Buccellati and M. Kellt-Buccellati describe the major goals of their research and excavations at Urkesh/Tell Mozan.
In section 2.1, G. Buccellati presents some environmental consideration, framing the ancient site of Urkesh in its geographical landscape.
Section 2.2 is dedicated by a discussion (again by G. Buccellati) on historical considerations regarding Urkesh, analyzing some major historical souces about the city.
In the next section 2.3, G. Buccellati deals with some archaeological considerations about the most important aims of the archaeological excavation at Tell Mozan.
Section 2.4 offers a description (by G. Buccellati) of the methodological issues involved in the excavation at Tell Mozan.
[mDP – January 2023]
|
1990
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'River Bank,' 'High Country' and 'Pasture Land': The Growth of Nomadism on the Middle Euphrates and the Khabur,
in S. Eichler, M. Wäfler, D. Warburton (eds.), Tell al-Hamidiyah 2, Göttingen: Vandenhoek & Ruprecht, pp. 87-117.
See full text
See abstract
The history of ancient Khabur region is displayed and discussed in this paper, focusing on some of the most relevant sites in the area (included Urkesh), taking into account both the archaeological and the textual evidence, hinting to a re-definition of the concept and the practical realization of 'nomadism' in ancient Northern Syria.
[mDP – November 2019]
|
1997
|
Syria in the Bronze Age,
in W.G. Dever, C.L. Meyers, J.D. Muhly, D. Pardee, J.A. Sauer (eds.), The Oxford Encyclopedia of Archeology in the Near East, Vol. 5, New York-Oxford: Oxford University Press, pp. 126-131.
See full text
A short introduction to the Syrian archaeology in the Bronze Age.
[mDP – May 2022]
|
1998
|
Urkesh as Tell Mozan: Profiles of the Ancient City,
in Giorgio Buccellati and Marilyn Kelly-Buccellati (eds.), Urkesh and the Hurrians, Urkesh/Mozan Studies 3,
Bibliotheca Mesopotamica 26, Malibu: Undena Publications, pp. 11-34.
See full text
See abstract
The author sketches in this paper an overview on the basic topographical display of ancient Urkesh, defining the position of the major structures and discussing the expansion of the city from the core to its periphery, outlining some wider insediamental traits in the area of Tell Mozan.
[mDP – November 2019]
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1999a
|
Urkesh and the Question of Early Hurrian Urbanism,
in M. Hudson and B. A. Levine (eds.), Urbanization and Land Ownership in the Ancient Near East, Peabody Museum Bulletin 7, Cambridge: Peabody Museum of Archaeology and Ethnography/Harvard University, pp. 229-250.
See full text
See abstract
The basic urbanization mechanisms at Urkesh are presented in this contribution, focusing on the development during time of a more complex social situation, based on the Palace institution. Comparisons with other adjacent towns are offered, complemented with quotations from textual sources (mostly of the mythological genre), such as the Myth of Silver.
[mDP – November 2019]
|
1999b
|
The Royal Storehouse of Urkesh,
in Michel Fortin (ed.), Syria, Land of Civilizations, Quebec: Musée de la Civilization, p. 170.
See full text
A brief but effective description of the system of the Royal Storehouse of Urkesh, specifically focusing on the function of sealing practices at the site.
[mDP – February 2021]
|
2000a
|
Urkesh: archeologia, conservazione e restauro,
Kermes 13, pp. 41-48.
See full text
See abstract
Restoration techniques newly developed at Tell Mozan for the conservation of ancient buildings are here presented and discussed, underlining the usefulness of this system both for scholars studying the site and for visitors or tourists visiting its ancient remains.
[mDP – November 2019]
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2000b
|
La figlia di Naram-Sin,
Urkesh Folio, 1 (2000), 6 plates.
See full text
Italian version
See abstract
The sealings from Urkesh belonging to the daugther of Naram-Sin, Tar’am-Agade are the topic of the present contribution. Their discovery places Urkesh a one of the most important city of the second-half of the third millennium BC, when the royal family of Urkesh strenghted his power by means of a dynastic and wedding alliance with the Akkadian Empire.
[mDP – November 2019]
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2002
|
Beyond Clay and Beyond Paper,
Backdirt, Fall 2002/Winter 2003, pp. 4-5.
See full text
See abstract
The paper briefly describes how the development at Tell Mozan of the 'Urkesh Global Record' digital system deeply contributed in the recording and diffusion of data through the web, including the site within a modern 'digital thought' of archaeology.
[mDP – November 2019]
|
2003
|
A LU E School Tablet from the Service Quarter of the Royal Palace AP at Urkesh,
Journal of Cuneiform Studies 55, pp. 45-48.
See full text
See abstract
The tablet labelled as A1j1, found in 1992 campaign at Urkesh and reporting a LU E school text, is presented in this contribution, comparing this item with other specimens found elsewhere.
[mDP – November 2019]
|
2004 |
Review of: Anonymus (ed.), La civiltà dei Hurriti, La parola del passato. Rivista di studi antichi, vol. 55 Napoli: Gaetano Macchiaroli, 2000, pp. 424,
Die Welt des Orients, pp. 209-214.
See full text
See abstract
This review provides the reader with a specific comment on a monography entirely devoted to the topic of the Hurrians' ethnical definition, collecting information and suggestion from papers by many authors (mostly Giorgieri, Pecorella and Salvini).
[mDP – November 2019]
|
2005a
|
The Monumental Urban Complex at Urkesh,
Studies on the Civilization and Culture of the Nuzi and the Hurrians 15, General Studies and Excavations at Nuzi 11/1, pp. 3-28.
See full text
See abstract
The purpose of this paper is the publication of the outcomings of the 16th excavation season at Tell Mozan (2003) focused on the exploration of the monumental urban complex of the ancient city of Urkesh, underlining the importance of some peculiar structures, such as the necromantic pit intended by archaeologists as a KASKAL.KUR.
[mDP – November 2019]
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2005b
|
The Perception of Function and the Prehistory of the State in Syro-Mesopotamia,
in Brian D. Dillon and Matthew A. Bost (eds.), Archaeology Without Limits. papers in Honor of Clement W. Meighan, Lancaster (California): Labyrinthos, pp. 481-492.
See full text
See abstract
Urban revolution and its role towards the development of hurban society in ancient Northern Syria are discussed in this paper, retracing the different steps of this phaenomenon and analyzing its social impact on inhabitants and the general regional framework.
[mDP – November 2019]
|
2006a
|
Conservation qua Archaeology at Tell Mozan/Urkesh,
in N. Agnew and J. Bridgland (eds.), Of the Past, for the Future: Integrating Archaeology and Conservation, Proceedings of the Conservation Theme at the 5th World Archaeological Congress, Washington D.C. 22-26 June 2003, Los Angeles: The Getty Conservation Institute, pp. 73-81.
See full text
See abstract
The destructive nature of the archaeological work needs for the development of proper registration of data and the following conservation of the uncovered structures. The innovative conservation system firstly applied at Urkesh is here deeply described, stressing the benefits of this new setup of the archaeological site, perceived as an archaeological park as a whole.
[mDP – November 2019]
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2006b
|
Presentation and Interpretation of Archaeological Sites: the Case of Tell Mozan, Ancient Urkesh,
in N. Agnew and J. Bridgland (eds.), Of the Past, for the Future: Integrating Archaeology and Conservation, Proceedings of the Conservation Theme at the 5th World Archaeological Congress, Washington D.C. 22-26 June 2003, Los Angeles: The Getty Conservation Institute, pp. 152-156.
See full text
See abstract
After the proper excavation process, archaeologists are required to act towards two goals: the interpretation and preservation of the excavated structures and material and the presentation of the site to the wider public of scholars and tourists. The different strategies of preservation and presentation of Tell Mozan are here briefly outlined.
[mDP – November 2019]
|
2006c
|
An Archaeologist on Mars,
in Seymour Gitin, J. Edward Wright and J.P. Dessel (eds.), Confronting the Past. Archaeological and Historical Essays on Ancient Israel in Honor of William G. Dever, Winona Lake, Indiana: Eisenbrauns, pp. 17-21.
See full text
See abstract
The problem of interpretation of archaeological remains is the core topic of this contribution, discussing on the perspective that any archaeologist has to apply both on the field and in the later post-excavation process. Culture is here defined as an entity nneding for a proper understanding by both specialists and common visitors, being able to re-link the archaeological remains with their original 'broken tradition'.
[mDP – November 2019]
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2006d
|
A Browser Edition of the Royal Palace of Urkesh: Principles and Presuppositions,
in P. Butterlin et al. (eds.), Les espaces syro-mésopotamiens: dimensions de l'experience humaine au proche-orient ancien : volume d'hommage offert à Jean-Claude Margueron, Turnhout: Brepols, pp. 49-55.
See full text
See abstract
The recording system for data from Tell Mozan's excavation bases on a digital perspective structured within the frame of the so-called 'Urkesh Global Record', a 'browser edition' set up by means of a specific 'grammar' and of a 'structured fluidity' of the archaeological record.
[mDP – November 2019]
|
2008
|
Mozan as Urkesh: Archaeology in the Making
See full text
A general introduction about Urkesh/Tell Mozan as a Hurrian archaeological site.
[mDP – April 2020]
|
2009
|
An Architectural 'Logogram' at Urkesh?,
in Paola Negri Scafa and S. Viaggio (eds.), Dallo Stirone al Tigri. Dal Tevere all'Eufrate. Studi in onore di Claudio Saporetti, Roma: Aracne, pp. 23-29.
See full text
See abstract
The interpretation of ancient remains under a proper archaeological view does imply also the definition of some patterned structures connected to ancient culture's language: in this case, a specific 'logogram' related to the Sumerian sign for 'mountain' (KUR) was detected on actual walls of the precint of Urkesh's temple.
[mDP – November 2019]
|
2010a
|
The Semiotics of Ethnicity: The Case of Hurrian Urkesh,
in J.C. Fincke (ed.), Festschrift für Gernot Wilhelm, Dresden: ISLET, pp. 79-90.
See full text
See abstract
The definition of ethnicity is always a difficult task and even more in the case of the identification of a Hurrian ethnical pattern; this topic is deeply investigated in this paper, aiming to define ethnicity on the base of actual, verified archaeological and cultural elements.
[mDP – November 2019]
|
2010b
|
The Urkesh Temple Terrace: Function and Perception,
in J. Becker, R. Hempelmann, and E. Rehm (eds.), Kulturlandschaft Syrien - Zentrum und Peripherie - Festschrift für Jan-Waalke Meyer, AOAT 371, Münster: Ugarit-Verlag, pp. 87-121.
See full text
See abstract
The structure and the function of Urkesh's Temple Terrace is widely analysed in the present contribution, aiming to define the limits and features of ancient perception on this monumental structures.
[mDP – November 2019]
|
2012a
|
The Floodwaters of Urkesh and the Structural Coherence of the Urkesh Temple Complex,
in P. Quenet and M. al-Maqdissi (eds.), L'Heure immobile. Entre Ciel et Terre. Mélanges en l'honneur d'Antoine Souleiman, Subartu 31, pp. 21-33.
See full text
Alternative online version (Academia.edu)
See abstract
A description of the central Temple Terrace of Urkesh, focusing on architectonical elements and on the structural features of the entire sacral complex. The history of occupation and use of the top-mound as a sacral place is then sketched in detail.
[mDP – November 2019]
|
2012b
|
Coerenza e storia. La Mesopotamia nell'ottica storiografica di 'Ordine e Storia': Istituzioni politiche, trasmissione del pensiero e percezione dell'assoluto,
in Giorgio Buccellati et al. (eds.), Prima della Filosofia, Milano: V&P, pp. 113-124.
See full text
See abstract
The self-consciousness of ancient human being is here re-actualized on the base of both the 'urban revolution' and of the development of a religious 'perception of the absolute', which occurred after (and thanks to) the invention/diffusion of writing, perceived as a reification of the reality.
[mDP – November 2019]
|
2012c
|
Towards a Linguistic Model for Archaeology,
Revue d'assyriologie et d'archéologie orientale 106 (2012/1), pp. 37-43.
See full text
Online version
Archaeological theory has developed through a series of stages that, especially in Great Britain and the
United States, have relied heavily on current philosophical trends. Recent concerns have focused
especially on matters of interpretation, and two special areas of interest have been cognitive sciences
(C. Renfrew) and what was originally termed contextual archaeology (I. Hodder). I have been addressing
the same concerns, but from a different point of view.
[mDP – January 2025]
|
2013a
|
When were the Hurrians Hurrian? The persistence of ethnicity in Urkesh,
in J. Aruz, S. Graff and Y. Rakic (eds.), Cultures in Contact, New York: Metropolitan Museum of Art, pp. 84-95.
See full text
See abstract
The definition of Hurrian ethnicity is the topic of this paper, aimed to define the geographical and chronological framework of the beginning of the Hurrian identity and cultural perception as specific people. Both archaeological and textual elements help in sketching the borders and the paths of the process which led to the definition in antiquity of 'Hurrians as Hurrian', determining specific and objective clusters which also involved a peculiar role of Urkesh.
[mDP – November 2019]
|
2013b
|
The History of the Cotsen Institute of Archaeology as a Research Paradigm,
Backdirt 2013, pp. 14-20.
See full text
A brief history of the Cotsen Institute of Archaeology at the UCLA, stressing its origins and its peculiar purposes in the field of the archaeological research.
[mDP – January 2020]
|
2014a
|
Konservierung der archäologischen Stätte Urkesh,
Antike Welt. Zeitschrift für Archäologie und Kulturgeschichte [online journal].
See full text
Alternative online version
See abstract
The interpretation and presentation of the archaeological site of Urkesh are here discussed from the very beginning of the discovery to the current strategies of conservation and valorization, underlining the innovation of the browser edition of archaeological data and the innovative preservation system for architectural remains.
[mDP – November 2019]
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2014b
|
Courage among the Ruins: A Sustainable Conservation Program in Time of War,
Backdirt, December, pp. 102-112.
See full text
See abstract
This paper aims at defining how archaeologists' responsibility involves also (and probably mostly) the inclusion and valorization of the local community living nearby the ancient site of Urkesh; moreover, the current war-situation in Syria needs for new strategies of courage and braveness to maintaining the contacts with the local community of Tell Mozan, towards an increasing sense of involvement and mutual responsibility.
[mDP – November 2019]
|
2015a
|
L'archeologia come presenza morale a Tell Mozan in Siria,
Bollettino dell'Associazione Archeologica Ticinese 27, pp. 20-25.
See full text
See abstract
In a period of war, archaeology can represent an effective link between local communities in Syria and the entire world: thanks to the promotion of local involvement and the valorization of local crafting manufacture, today, the community of Tell Mozan deeply contributes to the conservation and the presentation of the site, towards a new vitality and a constant hope for the future.
[mDP – November 2019]
|
2015b
|
Tensional factors and compositional analysis: Crossovers between linguistics and art criticism,
in P. Ciafardoni and D. Giannessi (eds.), From the Treasures of Syria, Leiden: Nederlands Instituut voor het Nabije Oosten, pp. 289-298.
See full text
See abstract
Linguistic analysis and archaeological data can be usefully linked and can communicate towards an effective shaping of ancient cultural features. 'Tensionality' represents here a key-point of this interpretative system, based on both linguistic and iconographic floors.
[mDP – November 2019]
|
2016
|
Urkesh: For a Semiotics of the Hurrian Sacred,
in P. Matthiae and M. D'Andrea (eds.), Ebla e la Siria dall'età del Bronzo all'età del Ferro, Accademia Nazionale dei Lincei: Atti dei convegni Lincei 304, Roma: Bardi Edizioni, pp. 117-135.
See full text
The particularity of the morphological organization of the sacred urban space can be understood in the light of an understanding of the forms as signs of an equally coherent religious vision, one that contrasts deeply with that of the Mesopotamian south, in spite of the partial similarity of forms. The glyptics of the royal court displays a naturalistic style that, by setting itself off from the religious sphere, enhances the latter's distinctiveness. The Temple Terrace is a mountain in ways that match the concept embodied in the southern ziggurat and yet differs sharply from it: it is the urban echo of a landscape that remains alive in the conscience of the people, in ways that contrast with the highly stylized southern realizations. The abi reflects a conception of the divine that is based on the close interaction of a one to one relationship: it is the sign of a conduit to the absolute that the southerners explicitly eschewed, in favor of a conception based on the recurrence of patterns. The coherence of the outward forms, and their longevity, are thus rooted in their association with values of which these forms are the outward signs. The sometimes nebulous concept of ethnic identity emerges here with clear and explicit formal traits. (author's abstract on p. 117).
[mDP – January 2020]
|
2017
|
Iconology in the Light of Archaeological Reason,
in Pavel S. Avestisyan and Yervand H. Grekyan (eds), Bridging Times and Spaces: Papers in Ancient Near Eastern, Mediterranean and Armenian Studies: Honouring Gregory E. Areshian On the Occasion of His Sixty-Fifth Birthday, Oxford: Archaeopress, pp. 49-60 [eISBN: 978-1-78491-700-5].
DOI
See full text
The thrust of the iconological approach was to identify a unifying point of reference behind the formal details of
iconography. This can help us approach cultural traditions for which there are no longer any living carriers. 'Archaeological
reason' defines the conditions of possibility for reaching behind the gap and suggests ways to re-appropriate the lost experience.
In this way we develop a semiotics that can be controlled formally, particularly through distributional and perceptual analysis. [Author's abstract].
[mDP – May 2022]
|
2018
|
A Children's Hermeneutics,
Backdirt, December, pp. 32-37.
See full text
See abstract
In time of war (any war and anytime), children need to be perceived as a focus for any human being: under this respect, also an archaeologist has to ask how to behave and to contribute to the benefits of children in local communities affected by political and military conflicts. A concrete example is here presented, i.e. the involving of children from Italy and Tell Mozan in a 'dialogue program', exchanging ideas on themes such as 'heritage' and 'identity'. A simple (but brave) way of fighting war and sharing hope.
[mDP – November 2019]
|
2019a
|
The First Gilgamesh. Conjectures About the Earliest Epic,
in Pavel S. Avetisyan, Roberto Dan and Yervand H. Grekyan (eds.),
Over the Mountains and Far Away. Studies in Near Eastern history and archaeology presented to Mirjo Salvini on the occasion of his 80th birthday.
Archaeopress Publishing Ltd: Oxford, pp. 114-119.
See full text
Out of the elements of the Sumerian cycle about Gilgamesh, a complex new epic was fashioned at the high point of
the Akkadian period. The paper argues in favor of such a high date for the first composition of the epic as a literary whole, and situates it in the context of the Akkadian imperial experiment [author's abstract]. – As for Urkesh, the author displays a plaque (A7.36) depicting the friendly encounter between Gilgamesh and Enkidu.
[mDP – December 2019]
|
2019b
|
From Urkesh to Mozan. The itinerary of a project in wartime,
in A. Pieńkowska, D. Szeląg and I. Zych (eds.),
Stories told around the fountain. Papers offered to Piotr Bieliński on the occasion of his 70th birthday.
Warsaw: University of Warsaw Press; PCMA UW., pp. 187-204.
DOI
See full text
Building on a long experience with community engagement in prewar times, the Urkesh Extended Project has faced the problems caused by the current war in Syria by expanding the range of its activities and involving on many different levels the local communities. Here I touch first on a theoretical consideration: the notion of territorial legacy as linking the modern with the ancient inhabitants of the area of ancient Urkesh. I then illustrate two particular aspects of our work, namely, conservation and site presentation: both continued unabated during the war, and were even expanded. The response of the local people has been a major measure of success, with large numbers of visitors still coming to the site for a surprising form of war tourism [author's abstract].
[mDP – December 2019]
|
2019c
|
Persistence of Tradition at Urkesh. The Temple Terrace from Protoliterate to Mittani,
in Caucasian Mountains and Mesopotamian Steppe. On the Dawn of the Bronze Age. Festschrift in Honour of Rauf M. Munchaev's 90th Birthday
Moscow: ИАРАН, pp. 340-354.
DOI
See full text
The Temple Terrace of Urkesh had an extremely long history, spanning over more than two millennia. This is surprising because the structure, while monumental in scope, presents several features that are relatively ephemeral in nature, and could have been preserved only through special care and maintenance. The article outlines the configuration of the Temple Terrace, highlighting its structural make-up and coherence, which allowed for incidental changes in its component parts – until the moment, in its final century, when the structure itself was affected by a more radical change. Possible reasons are suggested that may explain this cultural phenomenon [author's abstract].
[mDP – Febraury 2021]
|
2020
|
Degrees of Digitality. The Case of Excavation Reports,
in Nadja Cholidis, Elisabeth Katzy, and Sabina Kulemann-Ossen (eds.),
Zwischen Ausgrabung und Ausstellung. Beiträge zur Archäologie Vorderasiens. Festschrift für Lutz Martin, marru: Studien zur Vorderasiatischen Archäologie, Vol. 9, Münster: Zaphon, pp. 247-258.
ISBN 978-3-96327-108-3 (Book) / ISBN 978-3-96327-109-0 (E-Book)
See full text
This paper presents many issues concerning the topic of digital publication of an excavation report. After a discussion about the very concept of digital and conceptual digitality, involving themes such as those of categorization and exo- and endogenous dimension of digitality (static vs. dynamic), the author moves to the presetation of the case of a browser edition offering as an example that of the Urkesh Global Record (UGR) [see here for a video on this topic]; this system allows to reach a better and dynamic data gathering, leading to this final conclusion: Thus it is that the question of digitality becomes imperative for data gathering more than in perhaps any other case, given the necessity of having a system that maintains every single observation ever made during the excavation process. True digitality becomes then an issue that goes well beyond theory and abstraction, and becomes instead a most concrete imperative for keeping the archaeological process within the framework of an arguable analytical process. (p. 255).
[mDP – December 2020]
|
Kelly-Buccellati, M.
1988a
|
3. The High Mound: Introduction and Surface Collection,
(with a contribution by S.M. Hughey)
in G. Buccellati and M. Kelly-Buccellati (eds), The Soundings of the First Two Seasons, Mozan 1, Bibliotheca Mesopotamica 20, Malibu: Undena Publications, pp. 43-48.
See full text
In this chapter, M. Kelly Buccellati offers an introduction to the archaeological research on the High Mound of Urkesh/Tell Mozan. The sections in this chapter are devoted to the following topics: 3.1: General Introduction (starting p. 43); 3.2: Distributional Patterns (starting p. 44); 3.3: Conclusions (p. 45); 3.4: Mozan Ware Descriptions (pp. 43-47).
A final section (3.3, pp. pp. 47-48), by S.M. Hughey, presents some notes on mapping the ancient site of Urkesh.
[mDP – January 2023]
|
1988b
|
6. Artifacts from the Excavations,
in G. Buccellati and M. Kelly-Buccellati (eds), The Soundings of the First Two Seasons, Mozan 1, Bibliotheca Mesopotamica 20, Malibu: Undena Publications, pp. 65-82.
See full text
In this chapter, M. Kelly-Buccellati describes the main artifacts found from the excavations at Urkesh/Tell Mozan in the first years: section 6.1 (starting p. 65) is devoted to the ceramics, while sections 6.2 (starting p. 67) and 6.3 (starting p. 81) deal with seal impressions and other objects, respectively.
[mDP – January 2023]
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1990a |
Three Seasons of Excavation at Tell Mozan,
in S. Eichler, M. Wäfler, D. Warburton, Tall al-Hamidiya 2, Orbis Biblicus et Orientalis: Series Archaeologica 6, Freiburg, Schweiz and Göttingen: Universitatsverlag Freiburg and Vandenhoeck and Ruprecht, pp. 119-132.
See full text
See abstract
Report of three excavation seasons at Tell Mozan (1984-1986): after a geographical description of Urkesh's landscape and position, the author defines the reason of the choice to excavate at Tell Mozan; then, she describes the city wall, the cylinder seal impressions found in the Royal Palace, the Temple BA, and the Outer City.
[mDP – November 2019]
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1990b
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A New Third Millennium Sculpture from Mozan,
in A. Leonard and B. Williams (eds.), Essays in Ancient Civilization Presented to Helene J. Kantor , SAOC 47, Chicago: University Press, pp. 149-54, pl. 26.
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See abstract
A small double-side stele is here presented, for sure one of the best sculptural objects from Tell Mozan, coming from Temple BA's area. The piece can be dated to EDIII or to the Akkadian period. After a remark about the naturalistic features of its representations, the author concludes declaring how the Mozan stele can be placed in an intermediary position between those stylistic characteristics of EDIII art and those of the Akkadian period and as such present us with fresh and innovative aspects of northern Syrian art in the third millennium (p. 154).
[mDP – November 2019]
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1990c
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Trade in Metals in the Third Millennium: Northeastern Syria and Eastern Anatolia,
in P. Matthiae, M. Van Loon, and H. Weiss (eds.), Resurrecting the Past: A Joint Tribute to Adnan Bounni, Nederlands Historisch-Archaeologisch Instituut, pp. 117-130.
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See abstract
This paper explores trades in metals in the third millennium BC, focusing on the North-Eastern Syria, explaining the key-role of Urkesh within this framework; a paragraph reconstructs the trade patterns in the third millennium BC, from the Halaf period, throughout the Ubaid, the Uruk and the ED periods, stressing the Southern connections of Urkesh, underlining how in Syro-Mesopotamia interregional exchange networks developed early (p. 125), already in the fifth millennium BC with obsidian trade.
[mDP – November 2019]
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1996a
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Nuzi Viewed from Urkesh, Urkesh Viewed from Nuzi: Stock Elements and Framing Devices in Northern Syro-Mesopotamia,
Studies on the Civilization and Culture of Nuzi and the Hurrians 8, pp. 247-268.
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See abstract
The papers discusses Urkesh's glyptic material in comparison with other specimens coming from the later seals and sealings from Nuzi; the final section of the contribution is instead devoted to the question of Hurrian ethnicity of Urkesh's inhabitants, stressing how attempting to attribute art, or indeed any aspect of material culture, to a specific ethnic group needs to be approached with a great deal of caution and with theoretical awareness (p. 266).
[mDP – November 2019]
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1996b
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Seals in Ancient Mesopotamia and Seals of God in Revelation,
Rivista della Facoltà di Teologia di Lugano 1, pp. 79-100.
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See abstract
In this paper, the author presents specimens of seals from the fourth, the third and the second millennium BC, discussing their original function and purposes, mostly to guarantee the identity of a person within letters of legal transactions.
[mDP – November 2019]
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1998
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The Workshops of Urkesh,
in Giorgio Buccellati and Marilyn Kelly-Buccellati (eds.), Urkesh and the Hurrians, Urkesh/Mozan Studies 3,
Bibliotheca Mesopotamica 26, Malibu: Undena Publications, pp. 35-50.
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See abstract
This contribution is devoted to the analysis and of glyptic and stone materials from Urkesh, trying to define how, where and to what purpose they have been realized; a peculiar focus is given to Tell Mozan's workshops: It is difficult to determine how many seal carvers would have been working for the Urkesh dynasts and their courtiers. [...] The artistic climate within some Urkesh workshops stimulated innovating thinking on the part of both artists and patrons. [...] The detail to which the artists went to convey the dynastic message is also impressive and must reflect the very real concerns of the patrons. [...] Evidence for this type of creativity and intense collaboration is otherwise rare in the ancient Near East (pp. 49-50).
[mDP]
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2002
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Ein hurritischer Gang in die Unterwelt,
Mitteilungen der Deutschen Orient-Gesellschaft zu Berlin 134, pp. 131-148.
See full text
English version
See abstract
The underground necromantic pit called ābi is investigated in detail in this paper, suggesting the possible function of such a structure, discovered in 1999 campaign in Area A12 of the Royal Palace AP, dating between 2300 BC and 2100 BC. The author strengths the interpretation of the structure as a Hurrian ābi, describing the possible nocturnal rituals that could take place within the pit, outlining the historical meaning of the rituals performed in the ābi. The alleged triple equation Area A12 = ābi = KASKAL.KUR (as a passage to the Netherworld') seems to be validated by both textual and archaeological evidence.
[mDP – November 2019]
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2004 |
Andirons at Urkesh: New Evidence for the Hurrian Identity of Early Trans-Caucasian Culture,
in A. Sagona (ed.), A View from the Highlands: Archaeological Studies in Honour of Charles Burney, ANES Supplement 12, Herent: Peeters, pp. 67-89.
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See abstract
At Urkesh some andirons (also called in literature 'firedogs') have been uncovered: these finds also strengthen the relationship between Urkesh and the Ealy Trans-Caucasian culture (ETC), extending in modern Georgia and Armenia. The possible ancient trade routes are reconstructed, also speculating about the system of control of these important zones (mostly the Mardin pass, just to the North of Tell Mozan): to strengthen the idea of contacts between Urkesh, Early Anatolia and ETC, sealings and seals decorations and motifs are compared, underlining communal way of carvings and of portraying images.
[mDP – November 2019]
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2005a
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Introduction to the Archaeo-zoology of the ābi,
Studi Micenei ed Egeo-Anatolici 47, pp. 61-66.
See full text
See abstract
The well-known underground structure of the ābi, interpreted as a 'channel to the Netherworld', is here discussed for what concerns its archeo-zoological remains: after a description of the structure itself, the author describes its function on the base of archaeological and archeo-zoological evidence.
[mDP – November 2019]
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2005b
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Urkesh and the North: Recent Discoveries,
Studies on the Civilization and Culture of the Nuzi and the Hurrians 15, General Studies and Excavations at Nuzi 11/1, pp. 3-28.
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See abstract
This paper investigates the connection of Urkesh with Southern Mesopotamia and with the ETC in the North, in the light of archaeological evidences, mostly the glyptic material. Comparisons with other Anatolian and Mesopotamian seals and sealings strengthens the idea of such a connection.
[mDP – November 2019]
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2006
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Gilgamesh at Urkesh? Literary Motifs and Iconographic Identification,
in P. Butterlin et al. (eds.), Les espaces syro-mésopotamiens: dimensions de l'experience humaine au proche-orient ancien : volume d'hommage offert à Jean-Claude Margueron, Turnhout: Brepols, pp. 403-414.
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See abstract
This contribution analyses in detail the possibility of a cultural presence of the epos of Gilgamesh at Urkesh, as attested by literary and iconographic motifs. Many glyptic or stone depictions form a pattern or a cluster of evidence clearly hinting to the epos of Gilgamesh. The author presents two important inferences: 1) A significant thematic development that we know from the Old Babylonian Gilgamesh story would already have been so popular in the late third millennium as to have become the subject of a figurative representation and not in this case on cylinder seals but on a stone plaque 2) Arguments have been presented elsewhere for the specific ethnic nature of Urkesh as a Hurrian city. Since it seems likely that our plaque was carved in Urkesh, the presence of a Gilgamesh motif in this city attests to the third millennium Hurrian familiarity with these tales and their participation in the proliferation of these pan-Syro-Mesopotamian stories (pp. 410-412).
[mDP – November 2019]
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2010a
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Mozan/Urkesh in the Late Chalcolithic Period,
in J. Becker, R. Hempelmann, and E. Rehm (eds.), Kulturlandschaft Syrien - Zentrum und Peripherie - Festschrift für Jan-Waalke Meyer, AOAT 371, Münster: Ugarit-Verlag, pp. 261-290.
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See abstract
This paper explores the Late Chalcolithic Period at Mozan: evidences of LC pottery have been excavated since 2005, in a stratified context; the author presents the different contexts of the retrieval of LC material at Urkesh, namely the Temple BA, the Plaza JP, and the revetment wall in the central Terrace edge J3. Then, the author offers a general description of LC ceramic typologies and fabrics. In the end, the author underlines how climatic and geographical conditions allowed Urkesh to emerge in the framework of LC Northern Syria, mostly because of its peculiar position on the way towards Anatolia, where metal ores where situated.
[mDP – November 2019]
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2010b
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Uqnitum and Tar’am-Agade, Patronage and Portraiture at Urkesh,
in J.C. Fincke (ed.), Festschrift für Gernot Wilhelm, Dresden: ISLET, pp. 185-202.
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See abstract
The discoveries of sealings belonging to Uqnitum and to Tar’am-Agade allows us to speculate about concepts of 'patronage' and 'portraiture' at Urkesh. The author proposes the idea of a 'visual communication' displayed through glyptic materials, comparing the iconography of the seals of these two eminent women; she also stresses how messages related to a dynastic program aimed to encourage the power of the royal couple and the legitimate succession of their children, as openly communicated via specific iconographic features and gestures.
[mDP – November 2019]
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2012
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Apprenticeship and Learning from the Ancestors: The Case of Ancient Urkesh,
in W. Wendrich (ed.), Archaeology and apprenticeship: Body Knowledge, Identity and Communities of Practice, Tucson: University of Arizona Press, pp. 203-223.
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See abstract
Apprenticeship and its mechanisms are the topic of this paper, focusing not only in Urkesh, but broadening the discussion also to ancient Mesopotamia and Syria as a whole discourse. This transmission of knowledge and consciousness is investigated in this paper both under a direct way (from teacher to student) and an indirect one, through emulation or experimentation. As far as archaeology concerns this discourse, the concept of 'broken tradition' emerges as a key-topic. Evidence for apprenticeship are investigated, analysing the role of scribes, of seal carvers and the function of ancient 'tablet houses' (ancient methods of apprenticeship are reported), mostly during the Old Babylonian period. As for Urkesh, the author recalls the founding at Urkesh of a school tablet, showing practice on the reverse. Reverence for traditional or ancient knowledge is exemplified by the practice of seal carving, whose training cannot be, unfortunately, better regained.
[mDP – November 2019]
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2013
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Landscape and Spatial Organization: An Essay on Early Urban Settlement Patterns in Urkesh,
in D. Bonatz and L. Martin (eds.), 100 Jahre archäeologische Feldforschungen in Nordost-Syrien, Wiesbaden: Harrassowitz, pp. 149-166.
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See abstract
This papers analyses patterns of urban organization and the role of landscape for ancient Urkesh: The site is located close to stone sources in nearby foothills, as well as other natural resources in the mountains such as wood and especially copper from the Ergani area. Notably it was important to be near but not too near the Mardin Pass (p. 149). This strategic position of Tell Mozan represents one of its key-points in the relationships with both the Northern (Anatolian and Transcaucasian) and the Southern (Mesopotamian) milieus; this geographical space also shaped human thought and ancient space organization and the mythological background related to Urkesh guaranteed a clear meaning of the site as a cultic place and as an ancestral land (as the city of the god Kumarbi).
[mDP – November 2019]
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2015
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Power and Identity Construction in ancient Urkesh,
in P. Ciafardoni and D. Giannessi (eds.), From the Treasures of Syria, Leiden: Nederlands Instituut voor het Nabije Oosten, pp. 111-130.
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See abstract
This paper tries to reconstruct both the ancient political and personal identities of Urkesh and its inhabitants, analysing both an 'urban' and a 'personal' identity. After an introduction about the definition of the concept of 'identity', here perceived as both 'relational' and 'contextual', the author shows how these two features can be outlined thanks to Urkesh evidence and, above all, throughout its rich glyptic material.
[mDP – November 2019]
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2016a
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Women's Power and Work in Ancient Urkesh,
in S.L. Budin and J.M. Turfa (eds.), Women in Antiquity: Real Women across the Ancient World, London and New York: Routledge, pp. 48-63.
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See abstract
This contribution is devoted to an analysis of the role and figure of women in ancient Urkesh's society, as depicted via glyptic material and clay figurines. The author underlines the peculiarity of the women depictions at Urkesh: From the immediacy of the Urkesh seal iconography, combined with the seal inscriptions, we can obtain a glimpse of the life of the women at that court. This is only the case of the Urkesh women-not the Urkesh men. The seal impressions we have for Tupkish himself [...] are realistic, but the male members of the court [...] all have heraldic scenes which do not reflect their 'work.' Even though these seal impressions all came from the same contexts as those of Uqnitum and her attendants, these male retainers have chosen to represent themselves only with more conventional designs (p. 60).
[mDP – November 2019]
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2016b
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Urkesh: The Morphology and Cultural Landscape of the Hurrian Sacred,
in P. Matthiae and M. D'Andrea (eds.), Ebla e la Siria dall'età del Bronzo all'età del Ferro, Accademia Nazionale dei Lincei: Atti dei convegni Lincei 304, Roma: Bardi Edizioni, pp. 97-115.
See full text
Hurrian religious concepts differed notably from Mesopotamian ones. In the ancient city of Urkesh (modern Tell Mozan) we have found, through our excavations, evidence for the awareness and ritual adoption of both Hurrian and Mesopotamian religious practices. Most notable for Hurrian religion is the monumental abi constructed as an underground shaft lined with stones and containing a series of stratified magic circles. The abi rituals, known from Hurrian texts found in later Hittite archives, focus on calling up deities of the Netherworld. Mesopotamian religious practices are exemplified by an Akkadian period seal with a scene of the enactment of a sacrifice and by altanni vessels of which we have excavated one complete and a number of incomplete examples. The 4th millennium temple terrace had already constructed on it a niched building on a low platform, presumably a temple of a type known in the south. Temple BA and a stone revetment wall were built in Early Dynastic III. Serious efforts were made to protect the base of this wall. The Temple Plaza has a unique stratigraphy in that it was kept clean for over a thousand years. The explanation for this enigma connects Urkesh with the Kura-Araxes culture to the north [author's abstract on p. 97].
[mDP – January 2020]
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2016c
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The Urkesh Ceramics Digital Book,
in Paola Corò, Elena Devecchi, Nicla De Zorzi, and Massimo Maiocchi with the collaboration of Stefania Ermidoro and Erica Scarpa (eds.), Libiamo ne' lieti calici. Ancient Near Eastern Studies Presented to Lucio Milano on the Occasion of his 65th Birthday by Pupils, Colleagues and Friends
Alter Orient und Altes Testament, Vol. 436
Münster: Ugarit-Verlag, 2016. pp. 721-733.
See full text
The paper describes the development of the project of digital publication of the corpus of ceramics found at Urkesh/Tell Mozan (see also the related webpage Urkesh Ceramic Analysis).
[mDP – February 2021]
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2018a
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Celebrating Life in Mesopotamia,
Celebrating Archaeology. Tributes to Lloyd Cotsen.
Backdirt, Annual Review of the Cotsen Institute of Archaeology at UCLA, December 2018, pp. 58-64.
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Full volume
See abstract
Marilyn Kelly-Buccellati discusses in this paper the role and the meaning of celebrations in ancient Mesopotamia, with a focus on the site of Urkesh (Tell-Mozan). Indeed, celebrations and festivals were not only perceived as mere spare time, but as occasions to affirm connections among the people, their gods, and their city (p. 58). Such as occasions (connected with religious festivals, weddings and funerals) are attested by mean of different architectonical, iconographical and textual sources: aside of public feasts, also personal celebrations are documented in evidences from three Syrian sites, namely Urkesh, Ebla, and Mari. Furthermore, the role of women within these celebrations is particularly stressed and analyzed, mostly for what regards the role played by the queen within the royal couple.
[mDP – November 2019]
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2018b
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Urkesh Insights into Kura-Araxes Social Interaction,
in Attilla Batmaz, Giorgi Bedianashvili, Aleksandra Michalewicz and Abby Robinson (eds.), Context and Connection.
Studies on the Archaeology of the Ancient Near East in Honour of Antonio Sagona, OLA 268, Peeters: Leuven, Paris, Bristol (CT), pp. 107-123.
See full text
The core values of the Kura-Araxes culture are seen as a fundamental driver for the long continuity of the culture and allowed them to successfully negotiate their interactions with new cultural environments and social groups. New data from the Mozan/ancient Urkesh excavations in the Khabur plains is interpreted as resulting from the presence in the city of Kura-Araxes groups. Their integration into the Urkesh urban culture is contrasted with their negative experience in Arslantepe. It is suggested that the contrast is due to the Kura-Araxes social and cultural affinities with the urbanised Hurrians in Urkesh. The Kura-Araxes long association with mountainous environments and emphasis on fire rituals show a strong identification with the volcanic nature of these mountains. The Kura-Araxes primordial memory of volcanic eruptions are reflected in the Hurrian myths of Kumarbi and his son Ullikummi [author's abstract].
[mDP – December 2019]
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2019a
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Images of Work in Urkesh,
in M. D'Andrea, M.G. Micale, D. Nadali, S. Pizzimenti and A. Vacca (eds.),
Pearls of the Past. Studies on Near Eastern Art and Archaeology in Honour of Frances Pinnock, marru, Studies in Near and Middle Eastern Archaeology 8, Münster: Zaphon, pp. 413-427.
See full text
See abstract
The sealings found at Urkesh provide us with information not only about the royal couple and its courtiers, but also valuable data about working activities at the site. After a description of the main features of Urkesh's glyptics, the author presents sealings related to common people and describes craft production at Urkesh. The conclusions stress the importance of such an evidence in reconstructing ancient (palatial or not) crafting and service activitie at Urkesh, remarking the peculiar realism and expressionism of these representations.
[mDP – November 2019]
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2019b
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Urkesh ceramic evidence for function,
in A. Pieńkowska, D. Szeląg and I. Zych (eds.),
Stories told around the fountain. Papers offered to Piotr Bieliński on the occasion of his 70th birthday , Warsaw: University of Warsaw Press; PCMA UW., pp. 285-304.
DOI
See full text
See abstract
A14 is a well defined stratigraphic space, adjacent to a ceremonial platform and to the abi, the underground passage to the Netherworld. Some significant ceramic assemblages were found there, and an analysis of their function suggests that they were used for storage of dry goods in function of events that would take place in connection with
the ceremonial features nearby [author's abstract].
[mDP – December 2019]
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2019c
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Emulation as a Strategy of Urkesh Potters and its Long Term Consequences,
in Caucasian Mountains and Mesopotamian Steppe. On the Dawn of the Bronze Age. Festschrift in Honour of Rauf M. Munchaev's 90th Birthday
Moscow: ИАРАН, pp. 355-361.
DOI
See full text
The purpose of this article is the examination of the ceramics from Urkesh Phase 4 (dated to ca 2100–1900 B.C.) from the point of view of a fundamental aspect of the ceramic production in this time period, emulation and experimentation. This research leads to broader conclusions regarding the development of painted pottery first within the later part of Phase 4 and then continuing to emerge as the most important type of ceramic decoration throughout much of the second millennium. In other words I am reconstructing a situation within which the reemergence of painted ceramic decoration began in Phase 4b with an emulation of ceramics produced by ancient potters. This emulation conditioned the sensitivity of local potters and set the stage for them to take up the idea of painted ceramic decoration when it was reintroduced [author's abstract].
[mDP – Febraury 2021]
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2020a
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The Urkesh Mittani Horizon: Ceramic Evidence,
in Michele Cammarosano, Elena Devecchi and Maurizio Viano (eds.), talugaeš witteš. Ancient Near Eastern Studies Presented to Stefano de Martino on the Occasion of his 65th Birthday, Kasion. Publikationen zur ostmediterranen Antike/Publications on Eastern Mediterranean Antiquity 2, Münster: Zaphon, pp. 237-256.
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See abstract
This contribution, presented on the occasion of the 65th birthday of Stefano de Martino, describes the ceramic evidence at Urkesh related to the Mittani period; the author mostly focuses on pottery found on the Temple Terrace, triyng to reconstruct the Mittanian occupation at Urkesh, by analyzing ceramic samples with typical Mittanian shape, decoration, and ware types.
[mDP – May 2020]
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2020b
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Continuity and Innovation at Urkesh in the ED III Period,
in Maria Elena Balza, Paola Cotticelli-Kurras, Lorenzo d’Alfonso, Mauro Giorgieri, Federico Giusfredi e Alfredo Rizza (eds.),Città e Parole, Argilla e Pietra. Studi offerti a Clelia Mora da allievi, colleghi e amici,
Biblioteca di Athenaeum 65, Bari: EDIPUGLIA, pp. 296-310.
ISBN 9788872289389 / ISSN 1721-3274
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This contribution, presented within the Festschrift for Clelia Mora, describes (through the analysis of the ceramic evidence), the continuity of culture at Urkesh/TellMozan in the ED III Period, specifically on the area of the Temple Terrace.
[mDP – December 2020]
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2020c
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To Sift or Not to Sift... Research on the Effectiveness of Sifting,
in Nadja Cholidis, Elisabeth Katzy, and Sabina Kulemann-Ossen (eds.),
Zwischen Ausgrabung und Ausstellung. Beiträge zur Archäologie Vorderasiens. Festschrift für Lutz Martin, marru: Studien zur Vorderasiatischen Archäologie, Vol. 9, Münster: Zaphon, pp. 259-265.
ISBN 978-3-96327-108-3 (Book) / ISBN 978-3-96327-109-0 (E-Book)
See full text
This contribution discusses about the importance of sifting soil on an archaeological excavation, this case Urkesh, in order to ensure that any small find, specifically unbaked seal impressions at Urkesh, can be correctly recognised and collected. A specific method has been applied: We decided to conduct an experiment whereby all the soil from a small locus was first processed by using our usual methods. These usual methods mean that in every locus the objects are recorded individually and boxed separately. The other items (ceramics, lithics and bones) are collected in their entirety and stored separately. These groups are given q-lot numbers with a designation indicating their content. The letter q in this case stands for 'quantity', that is objects collected in quantity and triangulated within a relatively small matrix [...]. The excavator of a given feature collects the material in separate bags labeled with the q-lot numbers pertinent to that feature. Each bag is used for only one type of object [...]. In a second step we sifted the excavated dirt to see what had been missed. In addition to the information we received on what was missed, our sifting experiments gave us an insight into how long it takes to sift a given amount (with our mechanized system [...] a relatively short period of time) and the manpower needed to do this. (p. 259).
[mDP – December 2020]
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Recht, L.
2014a
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Perfume, women and the underworld in Urkesh: exploring female roles through aromatic substances in the Bronze Age Near East,
Journal of Intercultural and Interdisciplinary Archaeology 1, pp. 11-24.
See full text
See abstract
After a general introduction on Urkesh, the author discusses the necromantic pit known as ābi and its connection with a 'lady', represented by a small ceramic anthropomorphic vessel (A12.108) portraying a female figure. The author describes the item in detail and then moves to interpretation of its function: as already proposed by M. Kelly-Buccellati, this anthropomorphic vessel [...] has suggested contained perfumed oil used during rituals taking place in the ābi. In conclusion, the ancient texts make it clear that aromatic substances existed and were used in a variety of contexts beyond modern cosmetic usage [...]. This must also have been the case at ancient Urkesh and the broader region of northeastern Syria. The most likely vessels that may have contained such liquids or ointments come from cult contexts, including the monumental channel to contact the deities of the netherworld. The perfumes may have had not only cosmetic uses, but also have been appreciated for their medicinal properties and therefore part of healing rituals (p. 21).
[mDP – November 2019]
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2014b
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Tell Mozan ceramics: Munsell colours,
Frankfurter elektronische Rundschau zur Altertumskunde 24, pp. 12-46.
See full text
See abstract
In this paper, the ceramics found at Tell Mozan are analysed on the basis of the 'Munsell Soil Color Charts'. The specific procedure applied at Tell Mozan is explicated and some specimens of actual analysis are then provided, offering statistics about Tell Mozan's ceramic exterior colours and the relationship (of equivalence or diverging) between exterior and interior colours, also connecting shapes and ware types with respective colours. Furthermore, pottery is compared (as regards the colour) with other fire clay objects from Tell Mozan (i.e., miniature wheels, discs, sealings, sling balls, plaques, human and animal figurines).
[mDP – November 2019]
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2015
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Identifying sacrifice in Bronze Age Near Eastern iconography,
in Nicola Laneri (ed.), Defining the Sacred,
Oxford and Philadelphia: Oxbow Books, pp. 24-37.
See full text
See on-line article version
Flyer
See abstract
This paper deals with the identification and reconstruction of ancient sacrificial practices in the ancient Near East and at specifically at Urkesh, using as main sources the archaeological and glyptic evidence from Tell Mozan: Careful criteria sensitive to the wide array of religious practices in the ancient Near East can be set up to identify sacrifice in the iconography, and combined with other ancient material such as written sources and archaeological contexts, and theories proposed by modern scholars, these can be used to suggest further depictions and references to sacrificial rituals and their individual elements. Once carefully identified, we can begin to make inferences about the content of the practices of sacrifice in the ancient Near East - occasion, manner of killing, equipment used, participants (both animal and human), functions and locations (p. 34).
[mDP – November 2019]
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2018
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'Asses were buried with him': Equids as markers of sacred space in the third and second millennia BC in the Eastern Mediterranean,
in Louis Nebelsick et al. (eds.), Sacred space: Contributions to the archaeology of belief,
Warsaw: Institute of Archaeology, Cardinal Stefan Wyszyński University in Warsaw, pp. 65-94.
See full text
Alternative online version (Academia.edu)
See abstract
The paper focuses on the sacrifice and deposition of asses or equids together with an important deceased (as in the case, e.g., of Ur-Nammu's burial). After an introduction devoted to the story of the introduction and diffusion on equids in the Mediterranean, the author devotes two paragraphs to the analysis of the different species attested by archaeological samples and to the identification of equid remains according to osteological analyses. The concept of 'liminality' of equid burials is then analysed, describing this peculiar burial system connected to specific tombs at Urkesh. An appendix reports a catalogue including equids in graves in the Aegean and in the Near East.
[mDP – November 2019]
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2019
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Animals as social actors: Cases of equid resistance in the ancient Near East,
Cambridge Archaeological Journal 29/4 (November), pp. 1-14.
See editor's webpage
DOI
See abstract
After a general introduction to the topic, the author analyses the relationship between humans and other animals, the 'danger of animal', the concept of a 'social actor' at Urkesh. Afterwards, she investigates the presence of equids in the Bronze Age Near East, pushing back in time their encounter with human beings, mentioning terracotta equid figurines from Tell Mozan, together with other figurines (or depictions) from Mary, Ur, Nippur and Egypt.
[mDP – November 2019]
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